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‘Death Bear’ devours pains from the past
NEW YORK — A biting wind whipped down a dark street, where a man crouched in the shadow of a building. He pulled on black gloves and glanced up and down the avenue. Satisfied that no one was watching, he grabbed a mask the size of a beach ball out of a bag, pulled it onto his head and wriggled it into place: snout in front, eye holes over his own, rounded ears pointed skyward. Death Bear was …

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