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Giclee prints also known as iris prints is a kind of printing method that is used to create fie art prints. This is a customized and state-of-the-art printing methodology that produces prints in abundance without any possible impediments. In this printing method, you can get prints as close as the original designs and printing in all aspects. This new method of Giclee usually has so many advantages over other normal printing procedures. Above all, printing quality is superb, durable and better than other ways.

People who love to put posters and paintings at home can found this truly beneficial. Giclee prints are a perfect alternative to these things and give a better view in all aspects. They are a perfect alternative to Giclee painting as buying the originals can be a costly affair. They are difficult to use and high priced as well. Also, these prints have no chance of fading away as well. Hence, you can keep them wherever you want.

You can use these prints on a number of special occasions such as weddings, birthdays and anniversaries. Put desired pictures on your office and home walls. Based on different themes such as animals, architecture, fantasy, humor and lifestyle, fine art prints can be modified in different ways and feel of a room. You can use them as gifts. The receiver will be happy and delighted to get such presents and put them on their favorite place.  Assort your designs, prints and patterns in paintings and get the best feel inside your home, office or any other area.

Sanders Art Studio.com in Ogden, Utah have announced their “The Magic of Disney Fine Art Exhibition,” which features Artists Trevor Carlton, Tricia Buchanan-Bensen, James Coleman, Mike Kupka, Harrison Ellenshaw and Peter Ellenshaw, among others.

The exhibit showcases over 30 of favorite Disney Classic Film moments such as Cinderella, Alice in Wonderland, The Many Adventures of Winnie the Pooh, Kermit the Frog, Peter Pan, Mickey Mouse, Pirates of the Caribbean, Mary Poppins and much more.

In addition to the exhibit, over 300 limited-edition Disney Fine Art Giclee’s on canvases are available for purchase on a new website and virtual gallery .

The website will be showcasing work from the below listed artists:

John Alvin – Toby Bluth – Tricia Buchanan – Bensen James Coleman – Dick Duerrstein – Harrison & Peter Ellenshaw – Michael & Inessa Garmash – Manny Hernandez – Mike Kungl – Mike Kupka – Allison Lefcort – Stephen Reis – Tim Rogerson – John Rowe – Jim Salvati – Jim Warren – Trevor Carlton

Quantities are limited. Limited-Editions vary in size.

Sanders CC – established in 1960, is Northern Utah’s leader in Numismatic Coins and Collectibles. They carry a wide selection of US Coins, including the US Presidential Coin program, and World Coins.

The Managing Director of Sanders CC is KC Sanders; KC has a long history working for the Walt Disney Company. He worked in the Disney Specialized Businesses area for over five years, creating Disney Fine Art Exhibitions at the Disneyland Resort, Walt Disney World Resort, and Disneyland Paris Resort. He is bringing his knowledge, expertise and passion back to Utah to showcase the magic of Disney for the community.

Here & Now
Antioch Art Exhibit: Bonnielynn Brankey will be the featured White Room artist for the month of March at Antioch Fine Arts Foundation, 983 Main St. Brankey’s show will include original oil and watercolor landscapes and scenery from a recent trip to Alaska plus a newly-honed skill of silk-dyed paintings with underwater motifs. Giclee prints of her underwater art will also be available for …

Read more on Lake County News-Sun

Bronxville man spends two years recreating art’s masterworks
BRONXVILLE — If he had it to do over again, Ed Oberhaus would toss out the Van Gogh.

Read more on The Journal News

Art On Giclee, Excellence in art reproduction, • 12-ink Giclée Process 54″ Wide Format Capability • In-House-State-of-the-Art Large Format Digital Capture Studio or Supply your own Digital Files on our FTP secure site. • Quantity Discount, Pricing for Buyers, Galleries and Publishers. • Our Capacity is endless, we can handle any size Open or Limited Edition Giclée on Canvas or other media. (ask for the wholesale price list) We have the investment, you bring the projects. • Fine Art Reproduction Giclée made with the finest materials and archival inks, the best of everything goes in to a fine art Giclée reproduction. • Giclée for the Décor Market, the finest selection of art to fufill your decoration needs.

Fine Art Giclee Prints

When Jack Duganne coined the term “Giclee” (circa 1990) to define the printing of art on archival paper with the Iris line, very few artists could afford the high costs of
having their work reproduced. The inkjet Iris machines such as the 3047 model easily cost over $100,000 and had very expensive maintenance contracts. Once inkjet technology progressed, namely with Epson introducing the
Pro line of printers, both quality and prices have decreased. As other big name companies like Canon and HP also came to the market with archival printers, the field is now filled with printers vastly superior in all aspects to the now defunct Iris.

When paper and canvas manufacturers realized there was quickly growing demand for giclee printing substrates, a great variety of choices and different quality grades has come to market. The gamut of offerings ranges from the finest papers with archival ratings of more than 100 years to
others with more modest pedigrees.

It is important to make a distinction between what constitutes fine art giclee printing and decor giclee printing.

Fine art giclee printing

Only the finest brand name papers and inks are chosen; very skilled printmakers with decades of experience in the field and an artistic background handle the whole process. The result is a print that will last
tens of years and will have the best color accuracy possible. The market for fine art giclee printing aims at professional artists, collectors and people who want to buy art that will occupy the walls of designer homes and high end offices.

Decor giclee printing

Many purists have an issue with even calling decor printing a form of giclee printmaking. Because decor printing is done with lower grade substrates and inks, archival ratings are much lower; not as skillful people are preparing the digital files and not as much time and care
are put into file preparation. Chinese manufacturers have invaded the market with cheap low grade canvas and papers often costing one third of their European and American counterparts. Although many low cost
printers use these materials, for a few dollars more better papers and canvas specifically designed for the decor market can be used. These substrates are made in the US and Europe and do not carry the uncertainties associated with Chines made goods.

Whether you are looking for inkjet decor or fine art printing make sure to ask questions before proceeding; a skilled printing company should be able to answer any questions in a clear manner, including what materials are being used and how color proofing is done.

For further information please visit our giclee printing site.

A fine art reproduction (giclee print) consists of three elements; the medium, the ink and the top coat. If any one is compromised, the whole print is compromised.

 

THE MEDIUM

The medium is whatever the giclee is printed on. It can be anything from photo paper, a range of art papers, to canvas. Due to the nature of  paper itself, all art  printed on it, must be framed under glass. That is, if you want to get any longevity from your print. The glass will protect your paper from moisture, fingerprints and anything else that might find its way onto your art piece. And if you have kids you know what I’m talking about! Canvas on the other hand, is gloriously resilient. It can be displayed in an open frame without the glass. The breathable cotton and cotton/poly blends allow the fabric to dry should it get wet. It’s strong enough to stretch tight over wooden stretcher bars, flexible enough to resist punctures and tears with normal handling, and it doesn’t warp! Sounds perfect doesn’t it? There’s a catch. Most giclee printing canvases on the market are infused with optical brightener additives or OBA’s. The additives make the canvas bright and white. Giclee art needs bright white medium because ink jet printers do not use white ink. All the white in your print is the absence of ink with the medium shining through. So why would you care? Because the OBA’s break down over time when exposed to light, turning the canvas strange hues of blues and yellows. Your art print goes from beautiful to bazaar…How much did you pay for that piece?…Thankfully there is OBA free giclee canvas on the market. If the outfit you’re buying your art from does not tout the benefits of their OBA free canvas, you can bet their not using it.

 

THE INK

Almost everywhere you read about ink on the Internet, you’ll hear about them being ‘archival’. The claim is that they will last for 75-100 years or more! Well…we just don’t really know do we? They haven’t been around that long. Let’s assume that modern technology can simulate a “100 year” test and conclude that the ink will actually hold up. One thing I can tell you from first hand experience, ink is not water proof.  Some sellers will tell you the ink is water resistant all by itself and doesn’t need a top coat. It’s not. I’d hate to see the neighbor kid blow a PB&J sneeze on one of those prints! Also, giclee inks deteriorate significantly when exposed to light. Sound familiar? That brings us to the next element of our print.

 

THE TOP COAT

Top coat doesn’t sound very exiting does it? Oh, but it is! The right top coat applied to your print can mean the difference between life and death (for your print, that is. Or maybe you, if you happen to be an overly emotional Artist). A top coat serves two ESSENTIAL purposes. Protection from ultraviolet light and protection from water. Did I mention essential? I’m trying to make a point here. A giclee print not treated with a top coat is doomed to a short life. Glass can protect the print from moisture but not from light. Most sellers of prints will tell you not to hang your print in direct sunlight.  Even a giclee printed on water color paper or photo paper under glass should be treated with an ultraviolet / water resistant protective top coat. Here we go again back to modern technology. ‘Testing’ has shown that a UV top coat SIGNIFIGANTLY increases the longevity of ‘archival’ inks under exposure to ultraviolet light. For canvas giclee prints, one of the top performers in top coats is Glamour II. What it does for a print is just as the name implies. It makes the colors pop, acts as a barrier to all things evil, and virtually gives your print that rich oil painting feel. If the seller isn’t bragging about Glamour II or a high grade equivalent (like BullDog), their probably not using it. Or worse, they may not be using any top coat. Yikes!

 

So there you have it; the medium, the ink and the top coat. If any one of these three elements are compromised the whole giclee print is compromised. You don’t want to get stuck with a mess that was once called called Art. When you’re looking for that perfect print for the wall above the mantel, just make sure you’re getting your moneys worth.

 

Chance to own a beautiful and valuable work of art by Canadian artist Anna Sponer. Archival quality artist proof giclee fine art prints on canvas from original soft pastel paintings and oil paintings of your choice.